That said, in Savannah’s drawing, she does select a couple of areas to continue working on. Those are the model’s upper lip area, which she’ll make slightly narrower, and an area to the side of the chin that Savannah evaluates as needing more modeling and rendering. Without getting caught up in what she calls “that vortex of second-guessing,” a few carefully chosen final refinements can be helpful. However, too much reworking of your drawing won’t necessarily make it better, and can leave it feeling overworked and lifeless. One of her most valuable lessons as an artist, Savannah says, is that once you’ve finished rendering, step back, change a few things, and then call it done!
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